Colonise the Cloud

Animated GIFs, video, graphics, textile prints, 2015-2018

This body of work is focused on a series of evolving animated GIFs but extends into prints, graphics, textiles, and video. The animated loops are created painstakingly frame by frame using found imagery in a very slow, low-fi digital process; the pieces are an attempt to find a new visual language, new metaphors, for the digital. It’s the tech interests themselves who have primarily been defining both the language and iconography that we use to describe the digital —- and that means the discourse, no matter how critical it intends to be, ends up being circumscribed.

Earlier works such as The Cloud (2014) lightbox had been focused on deconstructing so-called 'cloud' marketing imagery to highlight the absurdity of these cynically misleading campaigns -- the way that the language and images used to describe the service imply an ethereal data-heaven - disembodied, pure, and safe. Around 2015, I started combining these works with glitch, underwater cables, and jellyfish. I was thinking about swarms as networks; how these ancient life forms are flourishing in acidifying oceans; and reports of millions of jellyfish swimming en masse into the plumbing of coastal nuclear power plants and causing shutdowns. In this series, the jellyfish becomes symbolic of the amorphous, inscrutable network, the cloud that seems to be one thing but reveals itself, upon closer inspection, to be another. It’s an exploitative cycle between us and technology and the natural surroundings that is leading us ever further down a dystopian rabbit-hole.

view GIFs from the series here
Digital Art at Sony Center, hourly public screening at Sony Center, curatd by DAM Projects, Berlin, Germany, 2022
Einen Riesigen Schwarm, Digital Art Space, Munich, Germany, 2019
Children of Prometheus, NeMe Arts Centre, curated by Marc Garrett, Limassol, Cyprus, 2019
Iconicity, Paul W. Zuccaire Gallery, curated by Gretta Louw, Stony Brook, U.S.A., 2019
SWARM, Incinerator Gallery, curated by Boe-lin Bastian, Melbourne, Australia, 2018
Networking the Unseen, Villa Merkel, curated by Gretta Louw, Esslingen, Germany, 2017-18
MozFest Artist Open Studios, Ravensbourne College, curated by Irini Papadimitriou (V&A) and Luca Damiani (Tate), London, U.K., 2016
No Secrets! Bilder der Ueberwachung, Stadtmuseum Muenchen, curated by Rudolf Scheutle, Munich, Germany, 2016
Monsters of the Machine: Frankenstein in the 21st Century, LABoral Centro de Arte y Creacion Industrial, curated by Marc Garrett, Gijon, Spain, 2016
Where we're going we don't need roads, Papay Gyro Art Festival, curated by NOVA, Hong Kong, 2016
NARGIFSUS, Transfer Gallery, curated by Carla Gannis and Tina Sauerlaender, New York, U.S.A., 2016
Women, Art and Technology, Zone, curated by Arterial, London, U.K., 2016
Widget Art Gallery, curated by Chiara Passa, online exhibition, 2016
'Artist Open Studio by V&A and Tate Digital Learning at MozFest', Irini Papadimitriou for V&A Blog Link
'More than 50 GIF artists take on selfie culture', Benoit Palop for Vice Link
'Women, Art and Technology', exhibition catalogue by Arterial Link